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Women in revolt, sonic materialism, and gendered sound.
The 3-minute scream, Gina Birch (1977), was uncomfortable yet deeply moving. Although this is just one part of the (huge) Women in Revolt exhibition it is inescapable and heard throughout the gallery space. The contrast of the scream with typically clinical silence you would typically expect from a gallery like Tate Britain. Marie Thompsons’ ‘In…